Headlock Hesitation

One of the most common wrestling holds, seen in nearly every match, is the good old Headlock.  The Headlock is Everyman’s wrestling hold: just throw an arm around the other guy’s face or neck, grab your hand or wrist with the other hand, and you’re doing it.  What’s not to love about the Headlock?

There seems to be growing disdain and impatience when this hold is used in a pro wrestling match because it’s considered a “Rest Hold,” something the athletes use when they’re out of breath, feeling lazy, and need a few minutes to relax.  So let’s take a close-up look at this so-called “rest hold.”

Modern wrestling fans seem to favor all action all the time.  They don’t feel they’re getting their money’s worth if the wrestlers aren’t jumping around, flipping off things, and constantly in motion.  But I beg to differ.  I believe a nice, long Headlock can be a work of art, a priceless addition to a match, even if the performers also happen to be catching their breath at the time.  Obviously, the wrestlers realize they’re still on the clock, so even while applying a Headlock, they’re still entertaining the audience and telling us the story.  You need to pay attention for a second and stop flipping the channels.

Pro wrestling fans, and the wrestlers, shouldn’t be in such a rush. The Headlock is a great opportunity to feast your eyes, to savor the power and beauty of a good match being wrestled by good performers.  A Drop-Kick or Senton Bomb is like fast food drive-thru, while a long, slow Headlock is like a five course meal at a fancy gourmet restaurant.  The camera-man usually uses the Headlock as an opportunity to pan in, focus, linger on the bodies and faces of the wrestlers, and the viewers should do the same.  Like I said, what’s not to love about the Headlock?

The Headlock can also be used to help tell the story of the match.  If a wrestler is meant to appear savage or overwhelming or angry, a close-up image of the Headlock will bring that out.  If the baby-face is meant to suffer and appear exhausted, his limp pose and dazed expression will depict his defeat.  Good wrestlers know how to position their bodies and adjust their facial expressions to act out whatever scenario is playing out in the ring, and the Headlock brings a focus and intensity  that isn’t possible with fast-paced action, constant motion, and far-away camera shots.

Another thing I like about Headlocks is that they are used to highlight the best physical features of the wrestlers.  If the dude has giant biceps, you better believe the camera will be panning and scanning all over those straining pythons during the Headlock.  If the wrestler has a pretty face or wears a beautiful mask, your television screen will be filled to the brim with that attractive mug.  Because the combatants are sitting still for a few seconds while in the Headlock, they can use that opportunity to zoom in, take you right inside the ring, and explore every nook and cranny.

So take your time and enjoy the next Headlock you see.  Pause and let your eyes wander.  Why chug everything you drink if you can sometimes sip and savor every drop.  Plus the wrestlers need to rest — running around all over the arena is exhausting!

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4 Responses to Headlock Hesitation

  1. Ian Burton says:

    “I believe a nice, long Headlock can be a work of art, a priceless addition to a match, even if the performers also happen to be catching their breath at the time. …. You need to pay attention for a second and stop flipping the channels.” I agree totally with these sentiments. Pro wrestling is at its best when the pace is right, and that means a mix of slow and fast, rapid manouevres combined with unrushed holds. We want to enjoy the wrestlers in the ring, their trunks, their boots, their muscular bodies, their straining sinews, their facial expressions — so, yes, do please slow down from time to time.

  2. Marc Pedn says:

    Having been on the receiving end 0f many A Headlock…all types and positions, I have to say…..I LOVE em…..if in a Front Facelock style, it allows me to sell my suffering both physically and with my facial expressions……In the physical aspect, I can grab at the Heels Fore-Arms and Bicep’s, yes allowing me to feel thick arms of steel…..Biceps ( to worship? ). I can say in my doing this….grabbing at these “items” may show im suffering and am clawing at them in an attempt ( yah right ! ) to get free from his grip…..In the facial aspect, I can contort my face showing how im suffering with each grind he administers to me. All in all….Work it….and I’ll love it!

  3. Sebastien says:

    I love Suffering Sundays, and I am so glad your blog exists. I love wactihng hot muscled shirtless guys suffering, and, better yet, while only wearing shorts. To me, it’s not about the opponent displaying his power and dominance. I like wactihng a strong man willingly let another man dominate him physically, especially if the opponent uses his body weight to dominate. I think that the dominance allows the jobber to show off how much he can endure, and really shows off his strength, both inner and outer when he lets someone place him in humiliating positions, and also letting him abuse his body pretty much any way he wants to. When the opponent uses his weight to push the jobber to submission by standing on him, schoolboy pinning him, or by straddling him while the jobber bridges, those are my favorite pro wrestling moments. The Titus vs. Santos match on your website is one of my favorites because of the bridges. (Would love to see a taped version of that match).I think that one definition of being a man is displaying the humility of offering his body to another man in order to have his body abused for the gratification of the audience.Cheers, and thanks again for your blog.

  4. Fernanda says:

    I get off on, and always will..enjoy a shot/pic of the Jobber being punished and worked on by the Heel at hand. A pic showing the Heel ripping at the jobbers face, fingers digging into eyes mouth nose flesh, the jobber’s hands trying in vein to stop the onslaught, his face showing nothing but suffering. Seeing the Heel line his fist up to the jobbers face, the jobber well knowing whats about to happen, eyes wide with fear as the Heel’s fist is just inches from the target. A shot of the jobber being crushed between the Heel’s leg’s, his gut being crushed and no intake of air a sure way to see the suffering in ones face. Can’t we request shots of the such as well?